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Leon: Do you make up these questions, Mr. Holden, or do they write them down for you?
Mr. Holden: They're just questions, Leon.
-Bladerunner
WHAT TOMORROW MAY BRING, the YA Dystopian boxed set, features 11 authors.
We gave them all the Voight-Kampff Interview.
It's Joseph Turkot's turn this week. Here's his first question. For the full interview go here:
HAVE YOU WRITTEN IN ANY OTHER GENRES BESIDES YA DYSTOPIAN?
WHAT DREW YOU TO THIS GENRE?
I started in fantasy, rather epic, Shakespearean fantasy: Darkin. The sequel, Darkin 2, was toned down (as far as its Shakespearean-sounding language), but still retained some of it. It definitely became more readable. After the second book, I moved into horror for a brief spell, writing a couple short stories. From there, I jumped again, publishing a serial novel called Black Hull. This was a fun ride through time and space for me, and a chance to work on terse language. Something I wanted to get good at. Some say I did this too well, and they wanted more description. In either case, I jumped again, going into writing a YA mystery novel called Neighborhood Watch about a serial murderer. This was a blast to write. I felt like I was reliving parts of my own childhood because the setting was so similar. And then, yes, finally, I arrived at the post-apocalyptic, or dystopian world of The Rain. I’ve always been attracted to dystopian literature, maybe because I see so much of the real world in there. It’s not all far-fetched and impossible to me. Okay, maybe The Rain is. But some of the stuff, like 1984, or Oryx and Crake, seem pretty possible. And so I see the cautionary tale thing writ in all its glory within the framework of those stories. And although the setting in The Rain is maybe not as believable in my story, it still provides a place for the characters to think about some aspects of humanity that might otherwise be overlooked or seen as ordinary. I’m all about examining beliefs with an open, malleable mind.
I started in fantasy, rather epic, Shakespearean fantasy: Darkin. The sequel, Darkin 2, was toned down (as far as its Shakespearean-sounding language), but still retained some of it. It definitely became more readable. After the second book, I moved into horror for a brief spell, writing a couple short stories. From there, I jumped again, publishing a serial novel called Black Hull. This was a fun ride through time and space for me, and a chance to work on terse language. Something I wanted to get good at. Some say I did this too well, and they wanted more description. In either case, I jumped again, going into writing a YA mystery novel called Neighborhood Watch about a serial murderer. This was a blast to write. I felt like I was reliving parts of my own childhood because the setting was so similar. And then, yes, finally, I arrived at the post-apocalyptic, or dystopian world of The Rain. I’ve always been attracted to dystopian literature, maybe because I see so much of the real world in there. It’s not all far-fetched and impossible to me. Okay, maybe The Rain is. But some of the stuff, like 1984, or Oryx and Crake, seem pretty possible. And so I see the cautionary tale thing writ in all its glory within the framework of those stories. And although the setting in The Rain is maybe not as believable in my story, it still provides a place for the characters to think about some aspects of humanity that might otherwise be overlooked or seen as ordinary. I’m all about examining beliefs with an open, malleable mind.
THE HUNT FOR TOMORROW is coming... Are you ready?
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